Mohsin Naveed Ranjha

Dark and dramatic as a broody ghazal, Dil Ras in black Indian silk features a full-sleeved choli that is dotted with a constellation of miniature motifs embroidered in metallic and silken threads, making it a starry sky of its own. The lehenga begins in deep maroon panels that gently bleed into black, layered with printed and embroidered cypress trees and Levantine palmettes that rise like architectural sentinels. Each motif is carefully block printed and hand-embellished with glittering mirrorwork, sequins, and golden thread. The hemline is circled with rich maroon and gold borders, stacked and layered like antique inlay on a treasure chest. The organza dupatta carries maroon and gold floral sprays across its breadth, shimmering with gota pati and adda work, edged with embroidered trims on all four sides.

Begum arrives in deep maroon Indian silk, lavishly adorned with silk appliqués, block-printed motifs, and shimmering hand adda embroidery. The lehenga’s structured silhouette begins with a chevron pattern cinching the waist, then flows into diamond-shaped lozenge motifs meticulously embroidered in silken threads and mirror work. The hem flares into majestic Mughal arches niche-like in form are finished with twin borders of radiant golden embroidery and glittering embellishment that gleam with every step. The long-sleeved choli features angular cuts at the sleeve ends, reflecting the strong architectural shapes that define the ensemble. A sheer organza dupatta, scattered with a delicate spray of sequins and mirrors, floats like stardust, its four borders richly embroidered in gold and edged with traditional kiran trims that shimmer with movement

Gulé Jaan is dipped in the pale luminescence of icy blue Indian silk. The choli, long-sleeved with a graceful boat neckline, features a double-sleeve illusion and subtle structure, embroidered in golden thread with twinkling pearls that dangle at the cuffs like icicles on a window ledge. The lehenga is composed of angular silk appliqué panels stitched together like stained glass, each one enclosing a peacock motif picked out in sequins and zari. Across the expanse, palmette-shaped borders stretch in angular symmetry, embroidered in fine gold thread, leading to a finely decorated hemline that sparkles like snow caught in twilight. The organza dupatta, light as a frost-kissed breeze, is embroidered with soft flowers in silken and metallic threads, framed with a scalloped internal border and edged in traditional golden kiran

A garden in full bloom, Gul Badan iscrafted from rose pink Indian silk and soaked in old-school romance. The choli is short, with demure half sleeves dusted with judiciously placed mirror work and glints of metallic thread embroidery. The lehenga begins at the waist with chevron patterning and evolves into diamond-shaped panels, each box housing a Mughal floral motif rendered in a mix of silken thread embroidery, block print, and tiny mirrors that glint like dew. Beneath this garden of geometry, vertical scrolls rise like creeping vines embroidered delicately in lines that mimic antique architectural flourishes. The hem is finished with multiple embroidered borders that layer like sari pallus from a bygone era. A contrasting organza dupatta in lush green explodes with large, bold floral Mughal motifs in gota and adda work, framed in broad gold borders with embroidered trims running along all four edges.

Gul-e-Khaas is something rare done in dark green Indian silk ensemble, bold and botanical, starts with a sleeveless choli in floral printed silk, traced with golden embroidery across the neckline and straps like delicate vines creeping along marble. The lehenga spills open like a secret Mughal garden, featuring appliqués of the same floral print, layered over block-printed motifs and enhanced with gota patti, mirror work, and fine hand embroidery. The spade-like motifs cascade downward and transform into intricate geometric patterns inspired by Mughal ceiling art symmetrical, hypnotic, and rich in detail. Lines of sequins and mirrorwork slash through the skirt like glints of sun in foliage. The hemline is a spectacle unto itself, with an ornate Mughal border densely embroidered in golden threadwork. The matching organza dupatta is no less opulent, blooming with large and small printed flowers at both ends, accented with gota patti and adda work, framed by embroidered borders and finished with charming kiran trims and fluttering tassels

A modern muse wrapped in tradition — this open golden gown is adorned with intricately embellished floral bunches and paired with a jamawar, tailed gharara. The dupatta glows with all-over sequin florals, completing this regal and graceful look.

A sensational combination of tangerine put together as a tribute to mistresses of great Mughal dynasty. The outfit radiates; beautiful Missouri fabric embellished with bead work, naqshi and sequence come together with beautiful net and organza dupattas. A Missouri pouch ad to the beauty and elegance.

Ghararas are symbolic to our Maison, our love affair with this statement cut is deeply rooted. Rehmat Ajmal wears Zeenat Mahal 5 piece bridal set and exudes the grace of a Mughal Shehzadi. A beautiful tangerine outfit that has minimal accents of sindoori red velvet. The kameez is set on hand-loomed cotton net featuring scenic embellishments of Mughal miniature, a farshi gharara with block print and heavily hand embellished velvet borders. Worn with a net jaal dupatta with heavy floral embellished borders and velvet scallop. A zari organza dupatta decorated with marori and finished with gota.

Eman wears Reema, a 4 piece attire with classic Mohsin Naveed Ranjha look consisting of a beautiful two hued velvet separates that glimmer in moss green and brass shades. The lehnga comprises of an elaborate jaal of tila and carefully placed floral motifs carved out of tila and resham, it is accentuated with gota kinari, pearls and cut dana. The border is hand appliqued and embellished chatta pati. Worn on top of a gota choli and a beautiful brass dupatta with heavy floral motifs, had embellished velvet borders and chatta pati palus with gota and kiran finishing. Eman wears a velvet potli with a jaal.

A beautiful lime green bridal comprising of a raw silk shirt extensively hand rendered in dabka, sheeshagari, Swarovski, sitara and gotta, paired with an organza farshi gharara embroidered with resham and tilla and embellished using gotta, dabka, sitari and sheeshagari. It comes with two organza dupattas to complete the look. The heavy dupatta is framed with a beautifully hand embellished border and circular motifs all over hand crafted with love and finished with our signature tamba kiran. The light kacha tilla dupatta is embroidered in aari and has accents of chatta patti and gotta. It comes with a matching pouch.

A 4 piece lilac bridal consisting of an elaborate kameez paired with a heavily embroidered farshi gharara set on a stunning organza base complimented with a lilac dupatta studded with golden zari and embroidery and a sequin spray dupatta complete with chatta patti borders.

An elegant organza angrakha embellished with pita and naqshi, featuring geometric and floral adda borders. Styled with organza bottoms and a maind enhanced with chiffon detailing. The dupatta is richly worked in adda, completing a look of pure, fluid elegance.